![]() What's interesting in the story-Lara's experiences as a trans ballerina-is treated as background noise, or at least secondary to the obsession with what her body looks like. Even disregarding the controversy, "Girl" does not work, mainly because Dhont's focus is all wrong. Unfortunately, "Girl"'s fascination with Lara's gender transition translates into a leering focus on her genitals, shoulders and chest. Lara has not trained that way, and she works hard with a private teacher, bending and warping her bloody feet into shape. Lara must devote herself to "catching up" with the other girls, all of whom have been training their feet for dancing en pointe since they were children. She is enrolled in this new school as a female, a controversial decision for her fellow classmates. Lara's challenges are different from her classmates. To be even moderately "good" requires single-minded focus from the earliest age. The ballet classes are the best parts of "Girl," with Frank van den Eeden's cinematography tossing us into the midst of the classes, giving a visceral sense of the experience-the sounds of feet landing on wooden floors, the looks of concentration, the emotional pressure and competition, everyone keeping an eye on everyone else, as well as an overall sense of the overwhelming difficulty of ballet. Lara has a lot of responsibility in the household, is more like a wife than a daughter, cooking, taking care of her dad and younger brother (who slips up occasionally, referring to Lara as "Victor," her old name). Her father is supportive of her, but is worried about her moodiness and her fraught relationship with her changing body. Simultaneously, she is in the beginning stages of gender transition, with hormone therapy, doctor consultations, etc. The family has moved to the city so Lara can attend an elite ballet school. The setup, briefly: Lara (Polster) lives with her father and little brother. All of that being said, does "Girl" work as a film? No. All along, Monsecour, who collaborated with Dhont through the filming process, has weighed in with support of the film and its intentions, including its graphic depiction of self-harm. "Girl" debuted at Cannes, winning a couple of plum awards (including the Camera d’Or for Best First Feature), and was nominated for a Golden Globe as well. Although I do my best to avoid buzz (negative or positive), especially if I'm assigned to review, it was impossible with "Girl" (and, in the case of "Girl," the controversy is a necessary part of the context, as is understanding why people are upset about it). ![]() Then came news of the casting of Victor Polster, a cis male, in the lead role, which inspired another round of criticism. ![]() Gender-blind casting may have been well-intentioned but it was a powder keg in this case. It began with the news of Dhont's decision to hold a gender-blind casting call for the lead role of Lara, a trans female ballet dancer, inspired by the journey of Belgian dancer Nora Monsecour. With its release date pushed back a couple of times (never a good sign), the Belgian film "Girl," a first feature from director Lukas Dhont, limps onto Netflix this week, covered in a cloud of controversy. ![]()
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